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Grand Performances Opens 2008 Season with Smaller Names, But Big Music

By Ed Fuentes
Published: Sunday, June 01, 2008, at 12:27PM
Traveling Horns Ed Fuentes

There will be no Ozomatli taking the encore into the crowd at this years Grand Performances.

The 2008 lineup kicks off tonight, with little of the bang that accompanied last year's start. While the names may be more obscure, the series is still something Downtowners should be paying close attention to.

2007 saw a packed first show take over Grand Avenue, with local favorites Ozomatli as the star attraction. This year's opener, Miles From India, is a fusion of classical Indian music and American Jazz with little of the star appeal, but an interesting story.

The night presents a microcosm of much of the year's line-up: to uncover the gem's, music lovers are either going to need to do their homework or just take a chance and wander up the hill.

The Times' Soundboard blog recently , tonight's opener. Casey Dolan writes about the ensemble's recording, where former Miles Davis' sidemen were brought together with Indian musicians virtually, via tracks patched together over the Internet.

Wallace Roney fills in the hot seat trumpet chair sublimely (“There was a lot of pressure on him, but he gets another outlet”). Guitarist Pete Cosey (”He was never recorded well”) and his gorgeous mosquito fuzz on the slow “Ife.” Sax player Gary Bartz playing better than he ever has and the ensemble of sitars, tablas, mridangams, ghatams, sarangis and Indian vocalists dazzling throughout.

Tonight's opening brings the performers together on the stage in one of only three U.S. shows.

Afterward, the Grand Performances season goes on as opening night is followed by a respectful mix of big band and rap, brass band and film screenings. Tijuana’s indie singer Ceci Bastida, in conjunction with DCBID’s Downtown Open House, will perform June 6, 7 and 8. A screening of "Chinatown" will introduce a weeklong multi-venue site-specific series of dance that has interpretations on water and Los Angeles.

Former Beastie Boy Money Mark will fight for the right to play lo-fi pop songs and soul-jazz of the '70s, mixed with hip hop. In July, Alan Chapman and Karen Benjamin reflect on satire by rewriting popular songs to provide commentary on the contemporary scene, all in homage to Tom Lehr.

Last year, there was rarely a disappointing night, and the line-up is worth walking up the hill, taking in the city, and being entertained. It's free, after all, and we do live Downtown. If you don't like a show, just walk on home.

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Guest 1

Dennis Smith on June 01, 2008, at 11:25PM – #1

All I can say is ....WOW! So often these musical mishmash synthesis projects sound good on paper but don't live up to the hype. If anything, this concert exceeded my expectations and will be one I long remember. Not quite the same as doing the cumbia in the middle of Grand Avenue like last year but still the kind of musical experience that folks up in the Bay Area paid $35-$60 to see the same show the previous day as part of the S.F. Jazz Festival. Kudos and thanks to Grand Performances and I'll see you at the Ceci Bastida concert next Saturday.


Guest 2

Dennis Smith on June 21, 2008, at 09:33AM – #2

So how many of you were at last night's concert given by Seun Kuti and the legendary Egypt 80 band? A huge crowd swelled the facility with picnikers taking in the evening while others worked up a big sweat dancing to the hypnotic rhythms and intricate guitar lines laid down by this Afrobeat juggernaut. Again, props must be paid to Grand Performances for bringing downtown a FREE show that others will be paying to see with a concert at the El Rey tonight.

One of the most impressive sights of the evening was before I even got to the show. I got a late start and was still walking up Olive from 5th when I realized I was not the only pedestrian headed towards the Water Court. The sidewalks on either side of Olive were full of people grunting to make the schlep up that hill to the escalator at 4th & Olive.....and the escalator itself was packed, flights of 20-25 people synchronized by the timing of the lights at the crosswalk. It is that sublime urban experience in which one is given opportunity to subsume himself to the greater body politic and allow one self to become part of a collective cultural experience that is free and open to all. It is something I have experienced in New York and Chicago but is more rare here in Los Angeles. I repeat, many thanks to the folks at Grand Performances for providing downtowners, and the whole city, with a true urban gem.


Guest 3

Dennis Smith on September 21, 2008, at 11:35AM – #3

Ozomatli may be playing at the Hollywood Bowl tonight but we got 5/8 of Ozomatli last night as part of a hugely talented ensemble that presented the Viva Yiddish Project at Grand Performances last night. Ceci Bastida from Tijuana No!, Frank London from the Klezmatics and Walter Miranda who has played with Money Mark and Cava were some of the other notables on stage as well as some cat named Isaac Sadigursky "from the shtetl of Bell" and the young and enthusiastic Banda Juvenil led by the Valenzuela Twins. Broadway star Mike Burstyn told Borscht Belt jokes between old songs by Carlos Gardel and even older tunes in Yiddish about some poor immigrant who wants to come to America but ends up in Mexico amongst his "companeros en sombreros". WilDog Abers claimed they found Banda Juvenil practicing in some garage in Huntington Park but when you closed your eyes they could sound like a second line marching through the Treme or a klezmer band practicing in Seward Park and they helped to propel a klezmerized version of Ceci Bastida's "Pobre de Ti".

It was a brilliant, one-of-a-kind performance and just one last example of the FREE FUN that is a regular feature of weekend nights during the summer in downtown Los Angeles. We who live here have a tremendous resource and I encourage everyone, especially those families with children, to take advantage of these opportunities



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